Narfolkbokks: Oktober 2012

Selasa, 30 Oktober 2012

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Published on: 2014-12-24
Binding: Paperback

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Senin, 29 Oktober 2012

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If you admire guitarists who combine killer technique with exciting musical ideas, the Serious Shred series is for you. Each title features lessons from renowned shredders and educators, and includes licks and examples in both standard notation and TAB---all combined in a book and DVD package for a complete learning experience. Learn what you need to know to become the best player possible, straight from bona fide shred virtuosos.

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Sales Rank: #1791570 in Books
Model: 00-38906
Published on: 2012-01-01
Original language: English
Number of items: 1
Dimensions: 12.25" h x 9.00" w x .25" l, .44 pounds
Binding: Paperback
48 pages

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0 of 0 people found the following review helpful.
I dont like to bash anyone But why cant this guy teach ...
By Jane DAvella
I dont like to bash anyone But why cant this guy teach some modal drills that we might actually use? A huge disappointment I am no pro but man,these drills to me are a waste of my time

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Serious shred
By Philip Cumberbatch
Pretty good for the intermediate guitarist who wants to go beyond power chords and simple riffs. Jared explains things very well, especially when it comes to modes. Well worth the money.

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start shredding
By domhitsbig nj
Very informative book.

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Rabu, 24 Oktober 2012

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Published on: 1600
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Kamis, 18 Oktober 2012

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Original language: French
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Senin, 15 Oktober 2012

[D774.Ebook] Download PDF The Verbal Icon: Studies in the Meaning of Poetry, by W.K. Wimsatt

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The sixteen essays in this volume form a series of related focuses upon various levels and areas of literary criticism. W.K. Wimsatt's assumption is that practice and theory of both the past and the present are integrally related-that there is a continuity in the materials of criticism-that a person who studies poetry today has a critical concern, not merely a historical interest, in what Aristotle or Plato said about poetry. He regards the great perennial problems of criticism as arising not by the whim of a tolerantly pluralist choice, but from the nature of language and reality.

With profound learning and insight, Wimsatt treats almost the whole range of literary criticism. The first group of essays deals with fallacies he believes are involved in prevalent approaches to the literary object. The next two groups face the responsibilities of the critic who defends literature as a form of knowledge; they treat various problems of structure and style. The last group undertakes to examine the relation of literature to other arts, the relation of evaluative criticism to historical studies, and the relation of literature not only to morals, but more broadly to the whole complex of the Christian religious tradition.

Sales Rank: #330664 in Books
Published on: 1954-12-31
Original language: English
Number of items: 1
Dimensions: 8.50" h x .71" w x 5.51" l, .82 pounds
Binding: Paperback
320 pages

Review
"This is criticism in terms of value and of structure. . . . Consistent and impressive."―New Republic

"One of the major works of criticism in English."―Modern Language Review

About the Author
W. K. Wimsatt (1907-1975) was associate professor of English at Yale University.

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7 of 7 people found the following review helpful.
Still Relevant
By Martin Asiner
It is very nearly ironic that by the time that William Wimsatt and Monroe Beardsley published Verbal Icon in 1954 as a methodology for setting out the basic principles of the New Criticism, there was already a counter movement by a new generation of critics who were chafing against what they deemed to be the overly rigid and codified tenets of the New Criticism that would not permit the reader to view a text using any outside or external referentialities. Verbal Icon is a collection of some dozen essays penned during the decade of the 1940s. Most of these essays are rarely read today except by specialists in poetic theory, but two essays have lingered in numerous anthologies as being the very heart and soul of the New Criticism: "The Intentional Fallacy" and its sister essay "The Affective Fallacy." The overarching purpose of both was to codify what to them were self-evident axioms, the majority of which dealt with their refusal to admit the validity of a "designing intellect" that requires the reader/critic to ascertain the author's stated or implied intention as part of the interpretive process. Wimsatt and Beardsley had a rather simple touchstone for determining the meaning (or what they termed the "organic unity") of a text. If an author, usually a poet, succeeded in making it clear to the reader that the poem had one and only one clear meaning, then this "clear" meaning inhered only within the poem itself as if it were a buried jewel waiting to be dug up by the reader/excavator. All other secondary meanings were not judged worthy of being hailed as primary and were to be discarded. It followed then that if the reader failed to identify this organic unity, it was not his fault; rather the fault lay in the poet who quite frankly was overly inept in constructing this unity by failing to integrate a host of factors ranging from figurative language to denotation/connotation to the physical structure of the work itself. Related to their axioms of a poem's autotelic qualities was their distinction between the ideological struggle that poet Archibald MacLeish saw as the difference between a poem's meaning and "be-ing." As far as Wimsatt and Beardsley were concerned the "truth" of an axiom of science was not the same "truth" of a poem. The former was incontestable and provable while the latter had relevance only in the fuzzily designed universe of human aesthetic experience. They asserted that since a poem was no more than artfully assembled words on paper it followed that any attempt to judge those words must be limited to those same words. The autonomous structure of a poem had no room to include either authorial intention (the Intentional Fallacy) or the emotive response of the reader (the Affective Fallacy). They averred that if either fallacy were to intrude in any judgment of the meaning of the poem, then the result must inevitably degrade into a morass of relativity from which no universally accepted unity could emerge.

The counter movement against the formalistic theories of New Critics like Wimsatt and Beardsley did not begin with the deconstructive tenets of Jacques Derrida in 1967. Structuralism as an alternate theory began to emerge at about the same time as Verbal Icon was hitting the book stores. Critics of formalism were aghast at the penchant of New Critics to isolate a text from any connection to the outside world. Their telling rejoinder was that if a text were truly to be examined only using the words on the page, then how would its adherents like Wimsatt and Beardsley justify their willingness to include symbolism as a needed adjunct if the act of symbol-hunting required the reader to search for external markers of that symbol? Further, they argued that if the organic unity also required the erudite reader to similarly peek within the Oxford English Dictionary to locate synonyms, antonyms, and temporally limited archaisms, then the very concept of an autotelic self-sustaining text was a fiction. Within just a few years, the widespread existence of New Criticism as a tool for poetic explication began to fade, to be replaced by the post-structuralist credo that the concept of Eternal Truths was the same fiction that caused formalism to be discarded. A final irony in the passing of formalism is that the close reading required by New Critics is still being used by all post-structuralists even as they denigrate thinkers like Wimsatt and Beardsley.

0 of 0 people found the following review helpful.
Iconic mastery
By William Graves
One of the greatest and most important works of literary theory ever written. Very hard tasks tackled with enormous energy and precision.

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Jumat, 12 Oktober 2012

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This standard introduction to psycho-analysis has been thoroughly revised to clarify and refine the concepts presented, and two new chapters have been added. Comprehensive and lucid, Dr. Brenner's volume is the indispensable orientation to the subject for both laymen and students.

Sales Rank: #229233 in Books
Published on: 1974-04-10
Released on: 1974-04-10
Original language: English
Number of items: 1
Dimensions: 8.00" h x .60" w x 5.20" l, .60 pounds
Binding: Paperback
272 pages

From the Publisher
This standard introduction to psycho-analysis has been thoroughly revised to clarify and refine the concepts presented, and two new chapters have been added. Comprehensive and lucid, Dr. Brenner's volume is the indispensable orientation to the subject for both laymen and students.

From the Inside Flap
This standard introduction to psycho-analysis has been thoroughly revised to clarify and refine the concepts presented, and two new chapters have been added. Comprehensive and lucid, Dr. Brenner's volume is the indispensable orientation to the subject for both laymen and students.

Most helpful customer reviews

53 of 55 people found the following review helpful.
The best introduction to psychoanalysis I've read
By Michael Strassberg
If you've ever wondered what "ego", "id", "projection", and all the other psychoanalytic vocabulary meant, and wanted a book which thoughtfully assumed you were a novice, this is it. Brenner writes in a very readable style, and assumes that the reader is new to the field, so he is clear and expressive in his development, but never insults the reader's intelligence. He also gives examples of the ideas he writes about, bringing them alive, rather than leaving them as theoretical constructs. If you want to go further into psychoanalysis, want to understand the theories for their relevance to literature, film and other arts, or just want to be conversant in an otherwise arcane lexicon, read this book.

8 of 9 people found the following review helpful.
Excellent intro but warning on book production
By a reader...
For a basic introduction on Freudian psychology and psychoanalysis this is an excellent text. In clarity and breadth this can't be beat. It does focus on what might be described as pre-1950 state of the field. This is not necessarily a problem since historical Freudian psychoanalysis is the foundation of the field, regardless of its appropriate and meaningful expansion by the great theorists that would follow Freud. Next books, besides actual primary texts of the theorists, including Freud, would be Bateman's Introduction to Psychoanalysis; Mitchell and Black's Freud and Beyond; the Blanck's Ego Psychology: Theory and Practice; Greenberg and Mitchell's Object Relations in Psychoanalytic Theory; MacKinnon's The Psychiatric Interview in Clinical Practice; and to crown, the Nancy McWilliam's books, starting with Psychoanalytic Diagnosis, Psychoanalytic Case Formulation, and Psychoanalystic Psychotherapy. The McWilliam's books are masterly and current, immediately applicable to clinical practice and research, and includes as well her gift of annotated references and bibliography based on her lifetime of study and reading. They are a milestone/foundation stone in writing on psychoanalytic practice.

One warning: Sadly, the Brenner text is produced on paper the substance of toilet paper. It tears at pen underlining, and at a cost of 15 dollars! Amazing price for such a cheaply produced book. Best to get a used copy somewhere with no doubt stronger paper for notation and underlining.

6 of 7 people found the following review helpful.
The BEST Introductory/Basic Book on Freudian Psychology
By P. D. Blair
One of the hardest things I have done in my life has been to successfully teach myself Freudian psychology. Charles Brenner's book was the single MOST VALUABLE aide in enabling me to do that.

I had purchased the 23 volume Collected Papers of Sigmund Freud from London, and I had studied Fenichel's textbook on Psychoanalysis, and I also studied numerous paperbacks on the subject - but Charles Brenner's concise and clear little book helped me assimilate the elemental concepts of Freudian psychology more effectively than ANY other resource.

Charles Brenner was a Professor at Yale Medical School, and he likely taught this course over and over again. So, he may have learned how to perfect the presentation of this difficult and conceptual subject.

As far as other reviewers' criticisms that Charles Brenner doesn't include post-Freudian material: I consider that criticism to be unjust. This book is a small PRIMER on the ELEMENTAL Freudian concepts - which should be learned before the more modern psychoanalytic info that came afterward. Maybe Charles Brenner's book would be better named at this time: An Elementary Textbook of FREUDIAN Psychology - that would help to clarify the content of this modestly sized book.

I have recommended this supremely valuable little GEM of a book to numerous people as the VERY BEST book to try to teach oneself Freudian psychology. I am astonished that it hasn't received 5 star ratings across the board; and I am also astonished that this wonderful book has not received more ratings. Maybe not enough people are even aware that this book even exists.

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Rabu, 10 Oktober 2012

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16 cutting-edge performance artists discuss a wide range of topics--from menstruation, masturbation, vibrators, S&M and spanking to racism, failed Utopias and the death of the Sixties. Armed with total contempt for dogma, stereotype and cliche, these creative visionaries probe deep into our social foundation of taboos, beliefs and totalitarian linguistic contradictions from whence spring (as well as thwart) our theories, imaginings, behavior and dreams.

Sales Rank: #1824469 in Books
Brand: Brand: Juno Books
Published on: 1992-03
Original language: English
Number of items: 1
Dimensions: 11.25" h x 8.75" w x .75" l,
Binding: Paperback
239 pages

Features

Used Book in Good Condition

From Publishers Weekly
In this illustrated, interview-format volume, 16 women performance artists animatedly address the volatile issues of male domination, feminism, race and denial. Among the modern warriors here are Diamanda Galas6 , a composer of ritualistic "plague masses" about AIDS who refuses to tolerate pity or weakness; Lydia Lunch, a self-described "instigator" who explains that her graphic portrayals of exploitation stem from her victimization as a child; and Wanda Coleman, a poet who rages against racism and ignorance. Goddess worshipper and former porn star Annie Sprinkle enthusiastically promotes positive sexual attitudes; bell hooks eloquently discusses societal power structures in terms of race and gender; Holly Hughes, Sapphire and Susie Bright expound on lesbianism and oppression; pro-choice advocates Suzy Kerr and Dianne Malley describe their struggles for reproductive rights. Incendiary opinions of current issues such as the Gulf War and censorship and frequent allusions to empowering art and literature make this an excellent reference source. These informed discussions arm readers verbally, philosophically and behaviorally and provide uncompromising role models for women actively seeking change. The editors are publishers of Re/Search.
Copyright 1991 Reed Business Information, Inc.

Review
"These women--potent agents for cultural destabilization--are definitely dangerous models of subversion!" -- Mondo 2000

"This is hardly the nurturing, womanist vision espoused in the 1970s. The view here is largely pro-sex, pro-porn, and pro-choice. Separatism is out, community in. Art and activism are inseparable from life and being." -- The Village Voice

About the Author
Kathy Acker, Susie Bright, Wanda Coleman, Valie Export, Karen Finley, Diamanda Galas, bell hooks, Holly Hughes, Lydia Lunch, Kerr & Malley, Linda Montano, Avital Ronell, Sapphire, Carolee Schneemann, Annie Sprinkle

Most helpful customer reviews

13 of 13 people found the following review helpful.
A thought-provoking look at women's roles in Performance Art
By A Customer
This book is amazing! Basically, it's a compilation of interviews of the most important female performing artists from the past couple of decades. Fascinating, stereotype-destroying, and informative.

8 of 9 people found the following review helpful.
An inspiring book!
By A Customer
I have been looking at this book again and again ever since finding it 3 years ago, each time gaining inspiration to be who I am with no appology. It and the women interviewed in it have inspired me greatly to push my own boundaries and explore society's taboos in a conscious way. I especially love the cover--an illustration of Medusa with pieces of culture's constructions in her snaky hair. Lots of photographs, which is a big plus!

0 of 0 people found the following review helpful.
A totally crucial text
By X. Suzi
Everyone ought to read this seminal text.
I bought this copy to share--as I hat to share only copies, or rare copies, and consider this to be one of the very best anthologies of artist interviews, of self-made business people, ever

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Published on: 1600
Binding: Paperback

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[R711.Ebook] Ebook Essence Evaluation Workbook for Natural Botanical Perfumery, by Justine M Crane

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This workbook is meant to help a beginning perfumer work through essence evaluations, trial evaluations, and perfume formulation evaluations. The workbook contains brief instructions pertaining to the use of the worksheets within the book. The bulk of this workbook is comprised of repeated worksheets to help the student perfumer maintain a log of essence evals, trial evals, and perfume evals.

Sales Rank: #547029 in Books
Published on: 2012-01-18
Original language: English
Number of items: 1
Dimensions: 11.00" h x .50" w x 8.50" l, 1.06 pounds
Binding: Paperback
222 pages

Most helpful customer reviews

6 of 8 people found the following review helpful.
Great info, but....
By TTB
This is the review I left on Working The Bench: A Practical Guide to Natural Botanical Perfumery. It's the companion book to the Essence Evaluation Workbook, I felt it fitting to leave the review as a set for each on each one's page.

First, let me just say there is some GREAT information in this book. Really and truly there is, and I'm appreciative of that.

However, I was terribly disappointed to see that the text on each page is printed very, very small. Add to that the fact that all the text on each page is enclosed in a rectangular box centered on the page, and the total amount of text would only take up approximately 1/3 of each page if this was actually formatted like a proper print book. As such, the actual length of the book would easily be only approximately 1/3 of what is listed in the description (210 pages). Of course that would change somewhat if the text were actually a larger and more readable size as well.

Even with the information that's here, I kind of feel like I've been ripped off. I was really expecting a nice, meaty book since it's listed at 210 pages... but that's just not the case. Had I realized this, I'd have never paid $32 for it. Well, I take that back. I probably would have, but if the book was formatted properly so that it's an easier read. I'd have at least known what I was getting and wouldn't feel like I do. I'd rather knowingly pay $32 for a 90 page book than to think I'm getting a 210 page book only to find out that the majority of each page is just white space.

The same is true with the Essence Evaluation Workbook that's a companion to this book... there's some good info at the beginning and the end (it is formatted like I'd consider a typical print book, so there was no issue in that regard), but essentially the entire book is comprised of nothing but sheets to use in evaluating essences, creating accords, etc. Yes, I understand this is for convenience, but again, had I realized that 95% of the book was simply blank evaluation forms, I'd have never purchased it. Even when viewing the "Look Inside" feature one would believe the majority of this book is actually text, and there's nothing in the description to lead one to believe that the majority of it is comprised of repeats of the same forms over and over again. Maybe I just expected too much.

I had high hopes for these two books as a companion set, but I kind of have a bad taste in my mouth simply because I feel a bit like I was ripped off. I respect Justine Crane's experience and appreciate very much that she took the time to write and publish this book in order to share her knowledge, but I honestly do wish she'd re-evaluate how it's formatted and remedy this issue.

I really feel torn and kind of just wish I could return them both.

2 of 2 people found the following review helpful.
Great for learning and cataloging essences
By OldTavern
Absolutely fantastic forms for essence evaluation, accord building and perfume evaluations. I recommend photocopying and using in a binder. I would have appreciated an aromatic lexicon to help me get started with scent descriptors as well as perhaps a rudimentary listing of the essence families and typical perfume families. A simple list of typical top, middle, and base note aromatics would have been nice too. I like having this type of information close at hand while doing evaluations but I understand this is simply a workbook to accompany instruction.
These forms are excellent tools for learning the systematic process of perfume creation and I recommend to anyone.

0 of 0 people found the following review helpful.
For novices
By Marko Ramius
Great book to assist in methodically of developing of a perfume. Provides evaluation and notation pages which can be photocopied and used hundreds of times. Nice workbook, but best for beginners.

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Music of the Middle Ages provides a comprehensive, chronological survey of musical style and compositional technique from early plainchant to the flushing of fourteenth century polyphony.

Sales Rank: #1328627 in Books
Published on: 1990-10
Original language: English
Number of items: 1
Dimensions: 9.50" h x 6.50" w x 1.00" l,
Binding: Hardcover
416 pages

Most helpful customer reviews

4 of 4 people found the following review helpful.
The Best Intro to the Musical History of the Middle Ages...
By Gio
...written in an "available" style and vocabulary, with lots of examples in original notation and modern transcription, plus maps and drawings and all kinds of bonuses to keep the reader on track. Just enough social and political history is included to give the music a vivid context.

There is a companion volume, "Music of the Middle Ages: An Anthology for Performance and Study", and a pack of two 90-minute casettes performed by The Hilliard Ensemble and Western Wind, which may still be available for purchase (ISBN 0-02-872953-6).

Reader beware: you'd better listen to some good recordings of medieval music before investing your reading time in such a project. Scout through my past reviews and you'll find quite a few gems.

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Four holiday stories--by Joan Hohl, Lucy Gordon, Lisa Jackson, and Emilie Richards--feature a mountaineer who finds a lost love, a woman haunted by her childhood, a stepbrother and sister fighting their passion, and estranged, formerly engaged lovers.

Sales Rank: #2523494 in Books
Published on: 1993-10-01
Original language: English
Number of items: 1
Dimensions: 1.03" h x 4.16" w x 6.72" l,
Binding: Mass Market Paperback
376 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Heartwarming
By Donna K.
I had low expectations for this anthology, and it suprised me with its depth of plot, well-drawn characters, and good quality writing style.

The Man From Pine Mountain by Lisa Jackson is a lovely story about a couple who were unjustly torn apart several years earlier. As they cautiously find their way back to each other, they forge a path of healing the grief of the past, and come to a deeper understanding of the other, and of their community. The story has a spiritual componant, and a lot of action to keep it moving swiftly and effortlessly along. Wonderful!

Naughty or Nice by Emilie Richards is a very well-written story about a social worker at orphanage of troubled girls. A product of the foster care system herself, she tried to protect her young charges from the unpleasant issues she once faced by being rather cynical and tough. A kind-hearted family of contracters who donate their time renovating the orphanage teach her what it feels like to finally belong, and in turn, she learns to lighten-up and discover the magic of the holidays, and of life and love.

Holiday Homecoming by Joan Hohl is an interesting story about the holiday reconciliation of a family torn apart by the forbidden love between a stepbrother and stepsister. At times, the diaglogue/narrative was rather sexually crude, and I had to make a conscious effort not to allow it to distract me or turn me off from the much-welcomed and powerful lesson of forgiveness and acceptance!

A Kiss for Mr. Scrooge by Lucy Gordon is about a man who isolated himself from the world and the people who loved after an accident leaves him incapacitated. When he reconnects with his former fiancee, he must learn to live, love and trust again. This story contains many touching moments as the likeable characters work their way through the issues they face. Excellent!

0 of 0 people found the following review helpful.
bad taste in my mouth
By Justirishgirl
I was disappointed. Most of the stories lacked character development and moved too slowly. Also they were lacking in romance.

Holiday Homecoming annoyed me the most. The so called hero almost had smex with his younger stepsister and would have had they not been interrupted by her father. His father told him to go way and he readily did. He did not stay to fight for her but left with his tale between his legs, a coward. He stays away for years, have smex with OW that included having relationships. The heroine of course, stays celibate, frozen in time waiting for him to return. It was sad. Eventually the hero mans up and returns over seven years later. He is a hypocrite, getting upset when he thinks another man had smex with her. I am so tired of reading books that include this sexist attitude and double standard. I will admit it sets me off and ruins my enjoyment for a story when a book includes this element. It was not the only story that did either, unfortunately. It just left a bad taste in my mouth. I would never read another story by this author.

0 of 0 people found the following review helpful.
Very Good Holiday Anthology
By BOOK READER
Unlike the second reviewer, I enjoyed this book. I think Joan Hohl's story was very unique in that it was a step-sister & step-brother that were the lovers in this story. No blood relation at all, yet it tore the family apart. Good writing. I enyoyed Emilie Richards story & Lucy Gordon's, but Lisa Jackson's didn't measure up in my estimation to the other three. All in all, I enjoyed the book for my holiday reading.

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Music is magical. Whether it is fast or slow, loud or soft, haunting or uplifting, music makes our world a richer place. Some people dance to it, some write, play or sing it, and others just listen. Music's power is that it touches everyone in different ways. It can be enjoyed by a crowd or by one person alone; it can mark grand occasions or bedtime.

We're so used to having music in our lives that we may not always notice how it affects us. In this lilting tribute, Lloyd Moss and Philippe Petit-Roulet lead us to think about how different the world would be if we didn't have music.

Sales Rank: #1169398 in Books
Published on: 2003-05-12
Released on: 2003-05-12
Original language: English
Number of items: 1
Dimensions: 10.40" h x .36" w x 7.32" l,
Binding: Hardcover
32 pages

From School Library Journal
PreSchool-Grade 3-After singing the praises of an orchestra in Zin! Zin! Zin! A Violin (S & S, 1995) and a band in Our Marching Band (Putnam, 2001), Moss now extols the joys of music itself. In rhyming text, he explains that music is important because it appears in all aspects of our lives, from the mundane "music in the elevator,/sometimes music on the phone" to the exciting "Brass or strings, when played with brio,/lift my spirits to the sky." Many different forms are mentioned, including orchestral and opera, and several of the terms and names will need some adult explanation. ("Verdi, Humperdinck, Puccini;/opera is such a thrill./Those by Bizet and Rossini please me,/and they always will.") However, the author's passion for his subject is clearly felt and expressed. The illustrations, with their elongated, cartoonlike figures and shapes, are dominated by slightly muted shades of blue, red, green, and peach. The placement of the text on the page often reinforces the mood of the message or words. The names of opera composers appear slightly larger, as if sung loudly toward an audience, and the words describing dance seem to skip along the bottom of the page with the dancing feet. This is a great read-aloud that can be paired with Moss's earlier books or with Karla Kuskin's The Philharmonic Gets Dressed (HarperCollins, 1982).
Jane Marino, Scarsdale Public Library, NY
Copyright 2003 Reed Business Information, Inc.

About the Author
Lloyd Moss is a host of WQXR, the classical music radio station of The New York Times.

Phillippe Petit-Roulet is an artist for The New Yorker.

Most helpful customer reviews

4 of 4 people found the following review helpful.
A wonderful children's book
By Katydid
Moss's gentle introduction to music is delightful. We always enjoy Lloyd Moss's books, and I often give them as birthday gifts to my childrens' friends. I believe in exposing children to the joys of music in every way possible, which is why I enjoy his books. We also are fond of his Zin Zin a Violin, an alphabet book with fanciful illustrations.

3 of 3 people found the following review helpful.
A Music Book that Makes you Move!
By Bex
"Music Is" was our introduction to Lloyd Moss. You can't help but move to the rhythm and rhyme in Lloyd's poetry. The book is fun and exporatory, flying through all kinds of music (opera to cha cha). We took this book out of the library, and my three-year-old reaches for it every day. She loves to bounce along to it and can recite parts. Illustrations are fun and simple. Definitey worth purchasing! A great intro to music.

0 of 0 people found the following review helpful.
Colorful
By Lynn S
I read this to my preschoolers and it hit on all the points we had talked about plus a few more. Great overview of music.

See all 3 customer reviews...

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